Additional information
| Weight | 0.5 kg |
|---|---|
| Dimensions | 6 x 6 x 30 cm (Width x Depth x Height) |
Weldvessel – (scale) – Metal Vase
£200.00
Steel vase coated with resin on the inside.
The surface has been textured with welding techniques, then satin polished. The textured pattern is reminiscent of a petrified surface or scaled animal skin, the polished scales contrasting with the dark oxide layer of the surface around them.
The resin makes it suitable for holding water, but weldvessels can also be displayed as art objects and look wonderful in small groups.
Weldvessels are hand made, with no two being exactly the same.
This artwork comes with a Certificate of Authenticity, signed by the artist
Artist: Philip Melling
Product Reference No: A-111901
Philip Melling
Working predominantly in metals, I create an eclectic range of sculpture and contemporary furniture. Highly aesthetic in nature, you will find much of my work curvaceous and tactile, but with a coarseness that is lent from working with bare steel. My style ranges from figurative to abstract and is always in context with its environment. In 2002 I graduated from Cambewell College of Arts in Metalwork & Silversmithing, and had experience assisting in the production and installation of major artworks across the country since 2001. Since 2003 I have been working on my own commissions and large-scale pieces, which have included artworks made from steel, stainless steel, resin and wood. My current collection ‘Elements’ focuses on Earth, Air, Water and Fire, and describes the reaction of when those elements meet. Developing the collection I concentrated on the proccess of using repetitive form of material - curved steel flatbar, to generate concepts and capture the movement of elemental reactions. The forms are designed to work as sculptures for the home, office and garden, as well as to larger scale installations for private or public spaces. My inspiration mostly comes from the materials I use, through experimentation and development of shape. I often work in linear forms, which are dictated by the capability of the tools I use, and what I can achieve with them. The form is of primary importance, but I also experiment with surface texture and finish - I sometimes spend weeks weathering steel with salts and water until I achieve the layers of oxidization I am looking for.
